PROGRAMMABLE MOTION EFFECTS

a/v,research — chris @ 6:26 pm

J. Schmid, R. Sumner, H. Bowles, M. Gross
To appear: Proceedings of ACM SIGGRAPH (Los Angeles, USA, July 25-29, 2010), ACM Transactions on Graphics, vol. 29, no. 3

Dvořák + 2Pac

a/v — chris @ 11:02 pm

Not a 1:1 ratio or anything, but something similar seems to be going on here.

SELF PROPS

a/v — chris @ 11:15 am

thx rchptch

“MESSIDONA” VIDEO + ARTFORUM QUOTE ON “REPERFORMANCES”

a/v,research,texts,theory — chris @ 10:26 am


“Much is being made of the decision to include what the artist calls ‘reperformances’ in Abramović’s retrospective. To me, this debate is largely beside the point: If you believe in the sacred authenticity of the original, then by definition no redo could threaten it; if you think performance is always already meditated, then live bodies are as much a form of representation as any other. More interesting than whether reenactments are art-historically correct is what they are asked to do– whether they close down or open up the potentiality of performance.”

Lambert-Beatty, Carrie. “Against Performance Art.” ARTFORUM May 2010; 209.

touches (13)
duration (13 seconds)
number of opponents (6)

Vormittagsspuk by Hans Richter (1927)

a/v,research — chris @ 7:09 pm

thx paul

GUILLAUME NERY BASE JUMPING AT DEAN’S BLUE HOLE

a/v,reblog,research — chris @ 6:51 pm

via Nikola Tosic

STUDY FOR INTERIOR (I)

a/v,explorations — chris @ 8:14 pm

LES MAÎTRES DU TEMPS, 1982 (parts 1-4 of 8)

a/v — chris @ 9:48 am

Jean Giraud (Moebius)

thx jack

KOTA EZAWA – BEATLES ÜBER CALIFORNIA (2010)

a/v — chris @ 9:13 am

COULDN’T HELP MYSELF

a/v — chris @ 3:47 pm

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